But once you extricate the printer from its box, setup is easy, if a little time-consuming. Unboxing and moving the printer to a sturdy table is definitely a two-person job. It weighs almost 115 pounds and, with the exit tray closed, measures 34.0 x 30.2 x 15.8 inches. The SC P5000 is a beast, albeit a handsome one. Good luck finding a hard drive that will last that long. That translates to up to 200 years for color prints and up to 400 years for black and white-provided you store them properly. The printer and its ink set deliver a broader color gamut, 1.5x higher density blacks and print permanence double that of its predecessor. An optional SpectroProofer is also available. Built-in roll printing and a high-capacity cassette complement front and top feeds. These tanks are designed as repositories for excess ink (yes, we know those words make you cringe more about that later). The printer is also equipped with two maintenance tanks, including one for borderless printing. The Commercial edition comes with Pantone-friendly Violet ink instead of what’s called “light light black,” while the Commercial model includes an EFI Fiery eXpress for Epson RIP.įeaturing a 10-color UltraChrome HDX pigment inkset, the P5000 utilizes 200mL cartridges, adding orange and green inks to the core set of cyan, light cyan, yellow, vivid magenta, vivid light magenta and three levels of black (Photo or Matte, light black and light light black). Commercial and Designer editions are also available for $1,995 and $2,495, respectively.
#Efi fiery express rip software epson pro
The successor to the Stylus Pro 4900 is available in three editions: The Standard edition, reviewed here, retails for $1,995. (The company recently rebranded its familiar Stylus Photo/Stylus Photo Pro lines under the SureColor banner to unify the brand globally.) Features That trajectory continues with the SureColor P5000, Epson’s latest, large format 17-inch desktop printer.
Each generation of hardware and ink set development brings photo printing to new levels. Epson inkjet printers have been a staple in photographers’ studios for many years and with good reason.
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